Cane Polymer Clay

The condensed version: The possibilities are endless when working with the cane process.  By using conditioned clay of different colors, shapes and sizes, you can make repeating patterns and turn them into a variety of items.  

One of my favorite things to do is to use the Skinner blend process in canes.  The use of translucent clay will also soften the hues.  It's crucial to wrap the shapes in different colors. Sometimes I use a complementary color, others call for a bold contrasting shade. Make a snake of one color, and wrap it with a different color, and even multiple wraps of a variety of colored clay make interesting designs.  

The key to makes the designs after you put the different canes together is to condense, roll, cut. Then condense, roll and cut again (and even again) until you are satisfied with the results.  Working slow and deliberate will help you keep the shape and aid in slicing the canes.

It took me a long time to enjoy canes. Because sculpting is my favorite thing to do with polymer clay, and I really had to come to terms with the waste caning creates.  But then I figured out ways to use waste canes and clay.

A few items of my cane work:

Conditioning Polymer Clay

Conditioning Polymer Clay

Polymer clay is an amazing medium for sculpting. It is versatile, flexible, fun and its only limitation is your imagination. The flowers that I sculpt and jewelry that they become, begin with conditioned polymer clay. 

The purpose for conditioning the clay is to eliminate air pockets and bubbles in baked clay.  What happens if you do not condition your clay? You risk the end result of your product having bumps. Those are the air pockets that did not get worked out prior to baking. And it's always disheartening to see that after the effort and time spent sculpting.  

I always say that conditioning is the start and the most important, yet basic step in working with polymer clay.  Good conditioning is crucial.

1.) Choose your clay from the many varieties available.

2.) Take slices from the brick of clay until you have several.

3.) Run the sliced sections of clay through the pasta maker going from the widest to smallest position several times, folding over as you go.

4.) Fold up the clay, making a tight ball.

5.) Roll the clay into a stocky roll, or snake.

6.) This step is my secret weapon to never having air bubbles. It's an extra step, but always worth the effort. Use your blade to make cuts in the clay roll (snake).  Make the cuts from all directions making sure to go all the way through the from top to tile.

7.) After the cutting process, gather up all the clay pieces and compact them together.  This is the condensing stage.  Let me be clear: one cannot condense enough. Make a roll (snake) and condense, condense and then condense some more. 

8.) When you have condensed enough and you will have a good feel for that, make the clay into a roll (snake) until the clay is smooth.  You can then cut the roll in half, and you should see a nice smooth interior surface.  You are now ready to sculpt something!